Monday, October 14, 2013

PEAKY BLINDERS. EPISODE 5 : BLISS




The dramatic climax of the series is reached in this penultimate episode 5 as characters reach a state of bliss, each in their own way, momentarily releasing from the struggle of life. Arthur’s bliss is felt immediately after the violent boxing fight with his father. He feels reunited with a father who abandoned them in this intense “love/fight" that is an embrace as well as a bloody beating. It’s confusing and exhilarating for him. In this euphoric state he would do anything for his father, even steal from the family fortunes. He does not count the cost or consider his own position.It's beyond self-interest. He gives because he loves, that’s all.

Inspector Campbell feels bliss when he is released from his professional relationship with Grace, freed to propose to her on a personal level, declaring his love. It’s a painful moment to watch because we know his love is not reciprocated. He risks his dignity and reputation, his face opened up with vulnerability. In rejection his face closes down again, hardens as his bliss evaporates into the contained rage of revenge. (amazing acting control from Sam Neil here).

The IRA man risks everything to avenge his cousin’s murder in his love of family. His eyes are fixed and brimming with this intense driving force as he realises he has his aim in sight, verbally fencing with Tommy, a fight just as dangerous and menacing as anything physical that follows .Later, in their fight together as they roll across the floor we see the bliss of violence on Tommy’s face in this intense struggle that erupts into a frenzied orgy as Tommy bashes the other’s head in repeatedly.

Aunt Polly also has her moment of bliss. After months of a family power struggle Tommy affirms her status by supporting her in her eviction of the wayward father. Tommy stands behind her and this sense of unity gives her a sense of well being expressed in the mysterious radiant smile suffusing her face as harmony is restored to the household. She beams as she descends the stair and the lighting changes in the room.

As Tommy and Grace open up and come together in the realisation of their love for each other, their love making becomes a fight, both tender and dangerous, a mixture of opposites, like the love/fight between Arthur and his father. These two love fights are central to the episode, one illuminating the other. The bliss is on their faces as they climax and also on Tommy’s face in the morning because this is the first time he has slept without nightmares. When Tommy returns to work next day he is radiant and the final shot shows him walking into the light. It is blinding for the audience, but also sadly tempered by the dramatic irony of the excruciating knowledge that Grace is a spy unknown to Tommy.

All these characters are brought to a moment of climax in the drama which is also a moment of Bliss. They achieve it through the power of Love which comes to them despite themselves and whatever their intentions. This is something in the human spirit that cannot be controlled or eradicated, something that survives the horrors of existence, something that defies Reason. After intense struggles this moment of bliss comes as a moment of grace, not planned but granted, given, a gift .It uplifts everybody and suffuses the sets with light.

Grace, by name, is of course, the “gift that comes to town” in her green dress, arousing hope and humanity in Campbell and Tommy, both of whom are world weary and brutalised. She risks everything including her life for the sake of avenging her father, and later for saving Tommy. She is a healing grace, “the barmaid who doesnt count” but who is in fact the one thing that does count, who changes everything.

Tommy risks his life to meet her as the IRA man has risked his life to avenge his cousin, as Campbell takes a risk to declare his love for Grace and risks his job to annihilate Tommy, as Arthur risks his reputation and dignity in his adoration of a father brutalised by Life which culminates in Arthur’s  self-annihilating suicide attempt. It’s Tommy who restores Arthur to life and well-being as he gives back some power to his older brother in the form of a business partnership, giving out of brotherly love, selflessly, “You’re one of three shareholders now, equal partners”, he says.

As one gives to another beyond self-interest they all gain more than they give. For a moment the human spirit shines through at its best, triumphant over the dehumanisation around them. Disaffected characters begin to feel again, transformed by the energy of love into the experience of bliss. Their lives are literally lit up, demonstrated in the use of lighting in the final scenes. It’s an act of grace .It just happens, inexplicably.

“Open up” says Aunt Polly at the beginning of the episode and that is what happens as the words of another Nick Cave song say “let love in”. Tommy says to Grace, “people look different when they are off guard...will you help  me with life, with everything, we can help each other, I found you and you found me”. “The fighting is over” say the men to Arthur who is still looking for a fight. “Last night something changed inside me” says Grace, “the hatred went and I no longer feel the need to avenge my father, I resign.” Campbell says, “Lately I feel my admiration for you has changed to love”.


One wonders, with dread, what is about to follow in Episode 6.


Grace comes to town